Archive for September, 2009

Destruction of Ancestral Icons

September 20, 2009

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The art of the hunter-gatherers, Australian Aborigines, since the early Seventies, has been disseminated, not solely from an anthropological point of view, but through its commercialization; thus disrupting the revelatory paradigm of concealment inherent to its culture.  As such the iconography from their rituals and bodily expressions of temporary characteristics, as well as from impermanent sand drawings—derived from communions with nature– has been translated onto a new protocol of objectification destined to paintings on boards or permanent murals on metal laminates, with the expressed intend to bridge the curiosity of an external audience: a process, which breaches confidentiality through its commodification as art objects.

With a few exceptions, admittedly welcomed by its naive producers, the secrecy of ancestral iconography has been transferred into precious objects of acrylic paintings inevitably to be transgressed and purveyed among Western collectors and their publications; thus introducing a not-so-unexpected consequence for a dilemma. We refer to a dilemma that erodes the indigenous protocols of initiation, as the narrative of their imagery requires viewing and understanding of themselves. Evidently, it is not sufficient to isolate the undesirable Western dissemination from the eyes of the aborigines in the confluence of a global community.

It is no longer possible to maintain the initiation rituals part of the cycle of their communal tribal powers while their objectified iconography becomes appropriated, or rather trapped between pecuniary bemusement and the attraction of a strange collector. In the effort to appropriate with the merits supposedly derived from admiration, an ancestral culture is corrupted with an external force that cements its adverse influence and dominance over their native communities rather than a mere preservation of the indigenous cultural acquis.

A disruptive influence is imposed onto the fragile ecological balance of these cultures by the colonizing destructive powers brought forth by researchers and their acolytes, anthropologists and their funding institutions, collectors and their propagandist entourages, as well as insensitive local governments who are so hungry for international attention, perhaps in a misunderstood concept of atonement for their colonizing powers.

RM

Sept 20, 2009

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Cape Cod 2009

September 9, 2009

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On a bright sunny day with temperatures in the mid 70’s, we rambled through the trails surrounding a delta-like Long Pond, after which came the much larger adjoining Mashpee and Wakeby Ponds, first in the morning sun, before lunch, and then in the cooler afternoon from 3 o’clock. On the shores, we saw men and women with their pets at water-play.

The clearing views, unforgettable in the midst of the surrounding forests, were bathed by sun light. They blended verdant patterns rivaling those of timid Gothic structures made by man’s effort to imitate nature. Emerald moss-covered roots stepped up into translucent tunnels where we were led by random colonnades buttressing airy canopies. Freshly aromatic air filled to the exhilaration of the errant heart through gullies and groves; in peace with the rhythm of my accompanying soul.


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